![]() ![]() Jam-packed superhighways, plummeting horses, vast urban wastelands, colossal businessmen, demented cartoon animals, and interstellar oranges are just a small part of Vaughn-James’s prophetic vision of society’s turn away from the natural world to the artificial. Among them were Elephant and The Projector, linked graphic novels that guide the reader (and a bespectacled Everyman) through landscapes built out of both the everyday and the nightmarish. Over the next eight years, he proceeded to produce some of the most mesmerizing and inventive works in comics, light-years ahead of his contemporaries. In 1968, the British artist and writer Martin Vaughn-James emigrated to Canada. Two surreal graphic novels about technology, corporatization, and alienation in the modern world by a cult-favorite comics innovator. ![]()
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